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It's hard to tell with Schecters from that era - it looks legit from the Dallas era which was circa 1984-1987ish. I'm going by the 22-fret neck; the Van Nuys era were all 21-fret necks per Tom Anderson (who was a Schecter empolyee from 1977-1984).
Assembled By Rudy's Music Stop in NY, Pre Dream Machine.Body one piece KOA, One piece SHEDUA neck, Two Monstertone pickups and brass hardware.all original.
The early Dallas era used both 21 and 22 fret necks so it could be from any time during the Dallas era. Schecter went out of business sometime in 1987-1988; it was around the time they got a cease and desist letter from Fender to stop using their headstock shapes. Their current owners bought the name and brought the company back to California, and they use that more generic headstock shape. Click to expand.Interesting - wouldn't that make it post-Dallas, or did the Dallas production linger on a year or so later than I thought? I was thinking the Dallas production was done by 1987 and they never wound up using the Fender headstock shapes post-Dallas. I've done a bit of research on these, but I have never really gotten good info on the end of Dallas production and the sale to the current owner (who is - or at least was - also one of the three owners of ESP) and the move back to California.
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I kind of lose the timeline a bit after the move to Dallas in 1984. Interesting - wouldn't that make it post-Dallas, or did the Dallas production linger on a year or so later than I thought? I was thinking the Dallas production was done by 1987 and they never wound up using the Fender headstock shapes post-Dallas. I've done a bit of research on these, but I have never really gotten good info on the end of Dallas production and the sale to the current owner (who is - or at least was - also one of the three owners of ESP) and the move back to California. I kind of lose the timeline a bit after the move to Dallas in 1984.
A couple of months ago I bought this used Schecter Tele in a local shop. It's a heavy monster, almost entirely original except for the Seymour Duncan bridge pup and the missing headstock logo sticker. It's a 1-piece rosewood body, 1-piece rosewood neck with gold finish brass hardware and very thin nitro finish. I can't find anywhere a clear indication as to its age, other than based on its specs it's most likely a late '70s or early '80s model. It plays great, sounds great and weighs a ton and a half.
Any info helping to identify it further is greatly appreciated. EDIT: Based on Superrock's input (see his post #19 below), it appears the guitar isn't made out of rosewood as I had thought, nevertheless it's still a great guitar. Here's the accurate info: Body: African Ovangkol (Shedua), cca. '78-'79 Neck: African Ovangkol (Shedua), cca.
Thanks, gents! It is a beauty indeed and it plays like a dream. I've always been a Les Paul guy searching for a good Tele to add to my stable. This one was just too good to pass and despite its weight (~10lbs) I can comfortably play it standing up for a couple of hours with the help of a wide padded strap. By the way, the solid brass pickguard alone weighs almost 1lb. The electronics need fixing, though.
The volume pot is hard to turn and the shaft is wobbly, the 3-way switch is scratchy and the bridge humbucker will be replaced with a proper Tele single coil. Don't forget that back then Schecter did as much business (if not more business) in parts as they did in complete guitars, plus until the early 1980s their dealers (the 'Schecter Shops') assembled guitars that were considered the same as the Van Nuys-built 'factory' guitars.
I don't see a serial number on this one so I suspect that this one may have been built by either a Schecter dealer or by someone else using Schecter parts - at least most of the hardware not counting the tuners looks to be from Schecter. The Duncan pickups could have been 'stock' by whomever built it. Some of the Schecter necks had a raised plastic logo (like the raised signature on a PRS or the raised chrome decal on Fender American Deluxes) instead of just a decal, and some didn't have a decal or logo at all.
This one could have had the raised logo or it could have been blank. It's a very nice guitar; these are great finds. Thats the baddest one to surface in a while. Bad meaning good lawd schwing factor is strong with this one. As you requested, i have in front of me my old catalogs and here are the wood codes: F7270 at the neck heel stands for shedua, or african ovangkol. The 6118 is a sequence number putting the neck about 2/3 the way into the van nuys timeframe, of '81ish or so.
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It's hard to tell with Schecters from that era - it looks legit from the Dallas era which was circa 1984-1987ish. I'm going by the 22-fret neck; the Van Nuys era were all 21-fret necks per Tom Anderson (who was a Schecter empolyee from 1977-1984).
Assembled By Rudy's Music Stop in NY, Pre Dream Machine.Body one piece KOA, One piece SHEDUA neck, Two Monstertone pickups and brass hardware.all original.
The early Dallas era used both 21 and 22 fret necks so it could be from any time during the Dallas era. Schecter went out of business sometime in 1987-1988; it was around the time they got a cease and desist letter from Fender to stop using their headstock shapes. Their current owners bought the name and brought the company back to California, and they use that more generic headstock shape. Click to expand.Interesting - wouldn't that make it post-Dallas, or did the Dallas production linger on a year or so later than I thought? I was thinking the Dallas production was done by 1987 and they never wound up using the Fender headstock shapes post-Dallas. I've done a bit of research on these, but I have never really gotten good info on the end of Dallas production and the sale to the current owner (who is - or at least was - also one of the three owners of ESP) and the move back to California.
Find information on drivers, software, support, downloads and more for your Zebra MC3000 and MC3090 Mobile Computers. MC3000/MC3090 Mobile Computer Support & Downloads| Zebra This site uses cookies to provide an improved digital experience. Motorola symbol mc3090 driver.
I kind of lose the timeline a bit after the move to Dallas in 1984. Interesting - wouldn't that make it post-Dallas, or did the Dallas production linger on a year or so later than I thought? I was thinking the Dallas production was done by 1987 and they never wound up using the Fender headstock shapes post-Dallas. I've done a bit of research on these, but I have never really gotten good info on the end of Dallas production and the sale to the current owner (who is - or at least was - also one of the three owners of ESP) and the move back to California. I kind of lose the timeline a bit after the move to Dallas in 1984.
A couple of months ago I bought this used Schecter Tele in a local shop. It's a heavy monster, almost entirely original except for the Seymour Duncan bridge pup and the missing headstock logo sticker. It's a 1-piece rosewood body, 1-piece rosewood neck with gold finish brass hardware and very thin nitro finish. I can't find anywhere a clear indication as to its age, other than based on its specs it's most likely a late '70s or early '80s model. It plays great, sounds great and weighs a ton and a half.
Any info helping to identify it further is greatly appreciated. EDIT: Based on Superrock's input (see his post #19 below), it appears the guitar isn't made out of rosewood as I had thought, nevertheless it's still a great guitar. Here's the accurate info: Body: African Ovangkol (Shedua), cca. '78-'79 Neck: African Ovangkol (Shedua), cca.
Thanks, gents! It is a beauty indeed and it plays like a dream. I've always been a Les Paul guy searching for a good Tele to add to my stable. This one was just too good to pass and despite its weight (~10lbs) I can comfortably play it standing up for a couple of hours with the help of a wide padded strap. By the way, the solid brass pickguard alone weighs almost 1lb. The electronics need fixing, though.
The volume pot is hard to turn and the shaft is wobbly, the 3-way switch is scratchy and the bridge humbucker will be replaced with a proper Tele single coil. Don't forget that back then Schecter did as much business (if not more business) in parts as they did in complete guitars, plus until the early 1980s their dealers (the 'Schecter Shops') assembled guitars that were considered the same as the Van Nuys-built 'factory' guitars.
I don't see a serial number on this one so I suspect that this one may have been built by either a Schecter dealer or by someone else using Schecter parts - at least most of the hardware not counting the tuners looks to be from Schecter. The Duncan pickups could have been 'stock' by whomever built it. Some of the Schecter necks had a raised plastic logo (like the raised signature on a PRS or the raised chrome decal on Fender American Deluxes) instead of just a decal, and some didn't have a decal or logo at all.
This one could have had the raised logo or it could have been blank. It's a very nice guitar; these are great finds. Thats the baddest one to surface in a while. Bad meaning good lawd schwing factor is strong with this one. As you requested, i have in front of me my old catalogs and here are the wood codes: F7270 at the neck heel stands for shedua, or african ovangkol. The 6118 is a sequence number putting the neck about 2/3 the way into the van nuys timeframe, of '81ish or so.